White marble sculpture of a woman holding a sleeping child. Sculpture is Carità educatrice (Charity the Educator) by Lorenzo Bartolini.

Coffin Birth

Poetry by Ashley Crout

for Carol


1

You can’t know exactly when

your mother is dead to you.

That is the inconvenience.

If you are watching her

body’s antiseptic ache, and she hasn’t

spoken in years, you will eventually will

her chest to fall down and play dead.

If you miss her last rites,

you will always feel that

something is missing, and sometimes

you will know exactly what that is.

That is the inconvenience.

2

I slid out of the vessel too early

just the way I slid in

to a 14-year-old Baptist with a boyfriend

at the time, with a late-night departure

to the Florence Crittenden Home

for unwed mothers in Charleston

where the canons were built

facing their own fort. Even

at the medical college hospital

where their girls go to hatch,

I was the least likely of all,

three pounds, three months early.

You don’t always die when you should.

3

That is the inconvenience.

Sometimes your own survival

means you have to outlive someone

you continue to love.

I know only that my mother gave me up

before I was ready. I know this is why

I never feel fully taken in.

I think of coffin births –

the dying, no, dead and decomposing, body

of the mother forces the baby out.

Decay is really an accumulation

of vapors. The soul hisses

within like snake language and escapes.

It’s the change in air pressure

like a sudden shift in altitude, climbing

out of the Piedmont or sinking

to the graveled floor of the sea.

The direction is less relevant.

4

But I picture an unknown mother drowned

ejecting my cartilage bones and heavy,

nodding head into a world she would never

see, and myself descending into the isolate,

darkening water away from the surface

light just as those who can’t place

heaven or hell think in terms

of our relative distance from God.

But I am so weightless I rise unnoticed.

The first breath you take is a commitment

to breathing. Now you couldn’t stop

if you wanted to. That’s the inconvenience.

In certain circles, there is rumor

of an order to things. You take your leave

only when you need to, when you can

least stand to be the one left.


Ashley Crout was born in Charleston, SC, and graduated from Bard College and the MFA program at Hunter College. She is the recipient of a poetry grant from The Astraea Foundation, has received awards from The Academy of American Poets and the Poetry Foundation and is a two-time Pushcart Prize nominee. Her work has been published in SojournerNew Orleans ReviewAtticus Review and Dodging the Rain, among others. She lives in Greenville, SC, with her hound, Stella.