Snow covered gravestones in a cemetery

Wake

Poetry by CD Steele


my mother’s mother died in a hospital: pneumonia—too many birthdays.

always on TV the adult child finds the parent’s body and rings 9-1-1. Don’t–
don’t, I am already

gone. just stay awhile with me / my body

that dead bodies spread disease is a myth in the American funeral industry, stemming partially

from a misapprehension of bad air

miasma theory.

when my mother’s mother died in Oregon, state law required embalming

to transport her to the family plot in Kentucky.

a “wake” is a gathering originating from the practice of holding vigil over a body in case the dead
should waken.

before she died her mother set out the clothes she wished to be buried in:

a favorite sweater pants thick socks

her feet were always so cold.

in the nineteenth century, amidst outbreaks of cholera and bubonic plague, arose a widespread fear of premature burial.

bodies promptly removed from the home spent days awaiting interment at the cemeteries
until they showed signs
of decay.

a hiker in the Pyrenees suffers from hypothermia and dies

in a snowstorm, six hours after her heart stops she is revived in the hospital with a special machine


and makes a full recovery. the awake waken to the shared tongue of grief:


that a body isn’t dead

unless it is warm,


that she died while I was in my mother’s belly and disapproved of the pregnancy. a thread

pulled underground a chill bell ringing— a dream of my uncle in which he smuggles my spirit back to my body.


the corpse of a woolly mammoth, perfectly preserved, is uncovered from a melting glacier.

its genes are teased out and spliced with a modern relative that hopes to restore the Arctic tundra.


I am talking to the dead,

articulating their remains.




I am trying to recreate a face half seen in frosted glass. I am trying

to recreate death, a semipermeable barrier. I am trying to recreate their

hearts, precisely
thawed.

CD Steele (they/he) is a queer writer who grew up in the shrub steppe of rural Oregon and a poetry reader for Chestnut Review. Their work is influenced by the intersection of history, archive, and culture. His writing is published in CRAFT Magazine, The Palouse Review, and Beaver Magazine.