Poetry by CD Steele
my mother’s mother died in a hospital: pneumonia—too many birthdays.
always on TV the adult child finds the parent’s body and rings 9-1-1. Don’t–
don’t, I am already
gone. just stay awhile with me / my body
that dead bodies spread disease is a myth in the American funeral industry, stemming partially
from a misapprehension of bad air—
miasma theory.
when my mother’s mother died in Oregon, state law required embalming
to transport her to the family plot in Kentucky.
a “wake” is a gathering originating from the practice of holding vigil over a body in case the dead
should waken.
before she died her mother set out the clothes she wished to be buried in:
a favorite sweater pants thick socks
her feet were always so cold.
in the nineteenth century, amidst outbreaks of cholera and bubonic plague, arose a widespread fear of premature burial.
bodies promptly removed from the home spent days awaiting interment at the cemeteries
until they showed signs
of decay.
a hiker in the Pyrenees suffers from hypothermia and dies
in a snowstorm, six hours after her heart stops she is revived in the hospital with a special machine
and makes a full recovery. the awake waken to the shared tongue of grief:
that a body isn’t dead
unless it is warm,
that she died while I was in my mother’s belly and disapproved of the pregnancy. a thread
pulled underground a chill bell ringing— a dream of my uncle in which he smuggles my spirit back to my body.
the corpse of a woolly mammoth, perfectly preserved, is uncovered from a melting glacier.
its genes are teased out and spliced with a modern relative that hopes to restore the Arctic tundra.
I am talking to the dead,
articulating their remains.
I am trying to recreate a face half seen in frosted glass. I am trying
to recreate death, a semipermeable barrier. I am trying to recreate their
hearts, precisely
thawed.
CD Steele (they/he) is a queer writer who grew up in the shrub steppe of rural Oregon and a poetry reader for Chestnut Review. Their work is influenced by the intersection of history, archive, and culture. His writing is published in CRAFT Magazine, The Palouse Review, and Beaver Magazine.

